THE TICKLE TOE-New Society Dance
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ALFRED BUTT '»«'SBS CT " ,N J. L. SACKS'?
GAIETY THEATRE production
OINC
BOOK BY OTTO HARBACH
AND JAMES MONTGOMERY
l_ Y RIC5 BY
OTTO H ARB AC H
MUSIC BV
LOUIS A.HIRSCH
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ALL PERFORMI NQ^IQMTS
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PRICE
DOWN! UPi 2/..,,-
DO IT FOR ME... 2/^..
Everybody aught ta know haw to da
THE TICKLE TOE 2/.,,..
GOING UP (Ypu start ta swBy)..2/-.,..
HERE'S TO THE TWO OP YOU ..2L..
IF YOU LOOK IN HER CYES...2L..
I LL BET YOU ~2/l--
I WANT A BOY .
Whn^a determined tra dp whatlsay 2
1^123 ME 2r
THE TOUCH OF A WOMAN'S HAND 2/1 .
FOX TROT 2/^
SELECTION 2Anett cash
VOCAL SCORE . .. 5/^ „
Sa\€ : Selling Agents for Great Brit am,lr eland &ColanIe5,except Canada & Australasia.
London: B.FELDMAN&C9 2, 3^4, Arthur St. New Oxford StW.C.2
Copyright I97-I9l8,by M WMARK&SONS,Witmark Building, New York.
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EVERYBODY OUGHT TO KNOW HOW TO DO
"THE TICKLE TOE"
the latest Society Dance Novelty i as pettormed with great success in Cohan & Earn*' eensS'
&®el musical comedy success ' GOING UP" at the liberty Theatre, Hew VorkT
idea conceived and lyrics by Otto Harbach—Muaic b y Louis A. Hirsch. Staged by Edward Royce.
The following description of the dance, arranged for the ball-room by Ad. Newberger. New York,
©proved and accepted as authentic by the Management of "Going tip" and officii endorsed by
Sew York Society* Teachers of Dancing. ^* ^
N OTE St
1. "L" designates "Left Foot"— "R." designates "Rfght Foot"— "M" designates '•Measure".
3. Positions mentioned in description reter to figures on margin.
i. The dance begins on the Second Measure of the music.
4. The >th, lptb, 11th and 12ti» Measures of the Chorus of the song are to fee ©laved
"Pianissimo", that the "Toe Taps" may be heard. p yTO
5. The "Aeroplane Sway" is danced only during the I3t* -tnd 14th measures of the "Tickle
Toe" Chorus of song, where the words "Oh Sir' and -Closer" appear. When dancing
danwd as* 'usual "Aeroplane 'Sway" is ©nuued and the ngures that follow are
6. It is essential that only the "Jot Taps" and the "Aeroplane Sway" should be danced
during the measures indicated for them.
Ail unnecessary contortions of 'the body should be avoided.
«. These directions are for the gentleman; the lady executes the same steps with the opposite
9. To insuri the standardization of .the dance, it should be taught without any deviation
from the directions.
The dance is executed in Waifs Position and consists of TWO "SLOW STEPS" to the first
measure danced, counting two beats to each step; and FOUR "FAST STEPS" to the next Measure
^a^is%Viiowin o g *■ auernaun - g througiiout thc
THE DANCE.
U( at%4 2nd Fo*i*»oiM»*-Step forwatd L. (count 1-2) ) then R. (count 3-4) l M. oi Music
LOCKING TO LEFT.
3rd Position— -"tw^ one-quarter to left and step forward L, (5th count); 4th Position—
Then R. (6th count).; ith Position — Step backward L. (7th count); 6th Position*-*
Turn one-quarter to „1&U and bring R. to L. (8th count).,.. »4 ** ■» <•
7$k end 6th Positions-Step forward L. (count 1-2) ; then R. (count 3-4)........... vl ** ** -
HOCK3NG TO RIGHT.
9tk Position— Turn one-qifarter to right and step L, forward raising right heel (Stfc.
count) J 10** Positww--Low9i R, aeel (6th count); llth Position—Turn one-quartof
to left Ana step L. to , the left side (7th count) ; 12th Position — Draw R» to L.
(8th count) ».........* ...i ** « m
Repeat the preceding four measures (from 1st to 12th positions inclusive) ......4 ** ** *
♦TOE TAPS.**
(Note) : This figure should be executed in a MILITARY FASHION; the dancers
keeping body erect, heels o2 the door, looking directly at partner, while dancing
almost on the one spot,)
tZth Position— -lao L. about one inch to the left; tap R. close to L. (counting 1-2);
Tap R. about one inch to the right; tap L, close to R. (counting 3-4) j « ** «*
Tap L. R. L. R. while moving about two inches to the left (counting 5, 6, 7. 8)....l ** " "
Tap R. about one inch to the right; tap L» close to R. (counting 1-2); Tap L. about
one inch to the left; tap K. close , to L* (counting 3-4) ......... ,.J " *»■- *«•
Tap R. L. JL L. moving about two inches to the right (counting 5, 6, 7, £)•'..«, »,...! " * **
(Note): On ell even counts of Taps, strike the Heels at the same time.
*»THE AEROPLANE SWAY,"
14f& Pdsition— Step with L. to left swaying body to left, Right Heel raised: Ceorantihg M> j
15th Position— \N hile maintaining the swaying position draw R» to jL striking the
heels (counting 3-4) «* ** *
I6tk Position — Step with R. to right swaying body to right, Left Heel raised (counting
3-6). l?th Position— While in this swaying position draw L. to R. striking the
heels (counting 7-8) ; ....»*•••»••.•••*..••••••.'•.',. .1 ** » *
iBth mid 19th Position*— Step forward L. (counting 1-2); then R. (counting 3*4) » . . .1 ** » «
9Qth, 21st, 22nd and 23rd Positions— -(Tripping Step) Four short steps forward
L. R. L. R. well up on toes turned outward, bringing each step well across the
other (counting 5-6-7«8) ......<.»* *» ** *
»*TO£'HEEt."
24th and 25th Positions—Stem forwatd L. (counting 1-2); then R* (counting 3-4>. I «* * *
Z6th Position—Turn left toe inward, diagonally is front (5th eotcnt>. 27th 'Position—
Turn left toe outward and put Lett Heel with upturned toe in. the same place
(6th count). 28th Position— -Leap on Left Toe close to R. and simultaneously raise
R, in front (7th count); step with R. forward (8th count) ..... 1 • » «
Turn once around to the righ$ with four "Slow Steps" (counting h, R, 5-4, L. 5-6,
R. 7-8) ....m,.......o %
(Repe at feom the begmnmg).
Copyright MCMXVHI by M. Witmarfe @t Soae
'STEP'
WALK
Everybody Ought To Know How To Do
The Tickle Toe.
New Society Dance from the Musical Play "GOING UP.
Intro: DO IT FOR ME.
Can also be used as. a Fox-Trot.
LOUIS A. HIRSCH
^loderato.
PIANO,
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Copyright 1947-18 by M. Wit mark & Sons, Witmark Building-, New York. All performing rights are reserved
B.Feldman k C% Sole Selling Agents for Great Britain, Ireland & Colonies except Canada & Australasia.
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The Tickle Toe . (Dance.)
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The Tickle Toe. (Dance.)
VOCAL GEMS FROM "GOING UP."
Lyrics by Otto Harbach. Music by Louis A.Hirsch.
EVrybody ought to know how to do
/\ The Tickle Toe.
Chorus. Mbderdto.
Ev Sry bod-y ought to know,
How to do the^Tickle
dLxk 1, k k , ■> k U 1 J =1
Toe;'
With it's movement so in
rit - ing,
Sort of cute and so ex- ci
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"Tickle-icMe fickle
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Chorus, jtfom'a.
Going Up.
( You start to sway.)
You start to
s-way
and then yoi
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i shut your eye
<s,YouVeonthe
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way ..... that leadsto Par - a-dise, All you can do m to
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If you look in her eyes.
Chorus. Tenderly.
Do it for me.
3
Chorus. Moderato.
She'll tell you what you're to do, dear, If you look inher
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Do itibr me,
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Be -cause I ^
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rant you
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'tender
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eyes.
"What is ex-pect-ed of you dear,
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Do it for me,
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Dont keep me taunt - ing
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You will have to sur - mise v § he may not say one word yet
Its all I ask.. „ Its not a ter-ri4)le task^ .
Copyright 1917-1918 by M. Witmark & Sons, Witmark Building, New York. All performing rights «re reserved.
London: B. Feldman <& C% 2, 3 & 4 Arthur St, W C. 2. Sole selling agents for Great Britain Ireland d Colonies
except Canada <£ Australasia.
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ALBERT 8LUCKSMANN
RaimufW-Strass8 153
FRANKFURT (MAIN) I